Hunting huge reptiles is a tricky business. Some of them are slow and easily escaped from, others will outpace you in seconds. They also have rather tough hides that are definitely more like armour than skin. So you need a strategy, you need somewhere you can get close enough that you can almost look into their eyes,since that’s where you’ve gotta get your arrow. Then somewhere you can retreat to immediately so that any others in the area can’t chase you. So this particular foray is extremely risky, I’m likely to be exposed for longer than I’d like and the entrance to the Scrimshaw Warrens caves behind me is futher then I’d like as well.
A year has passed since the spectacular explosion among the stars that was the self destruction of our sister planet, Cassiopeia (a Faire Folk story I wrote last year) by its remaining inhabitants. We mourn their loss but they had let the memories of our origins be forgotten. They had stopped performing the rituals that kept the subterranean beasts of our twin planets where they belonged, underground.
They had become shallow lip service festivals instead of a nescesity for survival. These rituals reinforced the spells of magical confinement enforced on the reptilian beasts that would consume us all.
The responsibility for this fell to the descendants of the original spell casters, that were marked by brightly coloured patches on their skin. It was a pale remnant of ancestors whose bodies were covered in such and could weave great magic. Strangely this didn’t always follow in families, sometimes an unrelated child may be born with the marks, the dormant powers floating around in the population gene pool to surface randomly. Some saw it as blessing others as a curse, but regardless, all knew the child would have to seek us out and be trained for the sake of our races survival.
Most of the time we wore long hooded robes and kept to ourselves, some among the population resented the power we could wield, even if it was much diminished from our ancestors. But twice a year at the Solsices we emerge and perform the required ritual to reinforce the magical barriers that keep us all safe.
The children of SEE attend the auction to bid against the Rift Knights for the Horn. In the preceeding discussions and during the auction, things get particularly tense and friction rises between all present.
The Rift Knights said they would listen to the Childrens evidence about the Fractal creature, but ONLY if they handed over the horn at the auction, otherwise they would no longer be allies and they would consider the Children theives for bidding against them for the stolen horn.
The Children countered that they would hand over the horn if they won,ONLY once the Knights had listend to the Fractal creature and their evidence.
So a stalemate. When the Children won the auction the Knights still pleaded with them, like sore losers, to hand over the horn claiming it was a simple matter of Right and Wrong. The Childrens point was how can it be Right to destroy a creature they believed was an emodiment of the Knights ancestors.
The Knights departed with threats that the ritual to destroy the Fractal creature would go ahead swiftly with no delay.
Earrings & Necklace: Bliensen + MaiTai – Fisk – Silver – Faire Store
While in 2019 I was able to follow the annual Roleplay, it wasn’t til last year that I was able to explore much more of the Faire. What is tricky though is trying to find one particular highlight, almost impossible given the size and marvelous works of creativity we were presented with!
I thought it would be more realistic to go through my snapshots and pick out a number of them instead. One region that’s missing here is Kurak where the 2020 Roleplay took place, well that’s still to come in another post, because there so many they deserve a post of their own.
The children experienced a series of loud noises and flashes of light while at their camp, similar to those near the Fractal rift creature that they had captured. Worried that perhaps it was escaping the went to check it was still contained.
The cobbled together trap seemed to be straining a little, but was holding the creature, for now.
To everyones surprise it started communicating with them, with halting, slightly confusing speech it gave them some clues to find the missing Professsor. It also seemed to thank them for capturing it, although it was difficult to tell why that was.
The children took the references to tombs, statues and books and worked out where the professor may well be found.
A dark cave at the top of a steep set of stairs is the entrance to a dark passageway leading to a tomb.
Sure enough the professor was found among some very strange carvings on the walks. The professor tells how he had not been kidnaped but instead ran away and hid in this tomb, when he was attacked at the camp.
He reveals that this tomb is what he had intended to show the children. The inscritions on walls talk of peices of a horn scattered across the rift, that when assembled, opened a portal for the previous inhabitants of the Rift Valley to escape a great evil. The portal was destroyed after they departed to prevent them being followed.
Loochies Tomb Analysis Notes:
The Tomb of Truth: The Goddess stands holding justice high and looks out towards the resting place of truth.
The People of the Smethyst lived a life of peace and were with thelands. Using their magic derived from the mystical lines in the earth the Amethyst people creat the Horn of Azibo.
With this power artifact the winds of time and place could be harnessed for the good of the lands and it’s people.
But the @)$@*! @(!_(#$* ****#@* *@*$*$#* @*$*#)(*% It drained their lay and made them wea+. *!@(@$_!#* (@*$*#) eated at gateway to the other worlds and set forth to !(!$)(*#&*)~#!
The people of the Amethyst remained under the ***** until a new High Jahl was ******. The High Jahl executed a plan to use the Empires Rift Gate to lead the people to escape.
And once the last of the Amethyst people was safely through the Rift Gate the HOrn of Azibo was destroyed standing ******** . All but one pece of the Azibo Horn were found and are not hidden across the Amethyst waiting for the day when our sins will be forgiven.
The Tomb or Contrite: The High Jahl and his queen stood tall and proud. These two figures watch over us all.
The Tomb of Sin: Where darkness dwells and hatred grows, in it’s centre the sins fester in sorrow.
Everyone returns to camp to compare the information the found at the tomb with the Professors notes.
Each year Fantasy Faire presents a number of Blogger Challenges. This is my attempt at “My New Shiny”, finding a new shop/creator you love.
This one isn’t *entirely* new to me, it’s more a revelation of discovering how much more they create and its amazing!
I liked the look of the eyes and skins that were generously left in the blogger room so I thought I’d have to check out their store. There was a couple of things I didn’t realise however: 1. I’d been to the store on my marathon lap of the Faire on Blogger day and said I’d come back. 2. I already had some of their creations in my inventory.
The prefix of all their items “:[P] :” nagged at me seeming familiar so I searched my inventory and came up with this outfit. I was very surprised since I’d acquired it at Cyber Fair 2020 and hadn’t realised they did other fantasy genre stuff. These “Angelic” bracers also showed up, again another surprise.
So off to their Faire store I went and found some more lovely items this staff, spell book and beautiful skin.
I’d already decided I was going to go with a light look for this when I’d put on the armour and found it was set to white. This skin was just perfect match, since the outfit can be made sheer, I could show it off wonderfully.
This hair is also available at their Faire store, in association with TRAP (who I confess I don’t know of, so something else to check out!). It comes as a single rigged piece or multiple parts you can position yourself. It comes with multiple huds for colouring differed parts and metals.
The First of two Fantasy Faire Masked Balls that will be happening during the Faire. A great time was had by all I’m pretty sure! I captured a collection of some of the weird,wonderful and fantastic avatars that were in attendance.
Centaur family dancing:
Stunning collection of characters you only see in SL and only ever at the time at Fantasy Faire!
The S.E.E discover the Professor that had something to show them has been kidnapped, or left of his own accord, it was unclear. They argued about that for a while, before Tepic came back from a shrine where the rift knights were, apparently they had some information. Everyone headed to the shrine and spoke to them. The knights told the Explorers they’d have to try and examine the Rift creature safely, by using a distraction of someone large.
Obviously not everyone was keen on this idea, particularly the larger people present! With it being potentially very risky if not life threatening. Still they had to go if they were to make any progress in their investigations.
They were able to get close enough to get some results from their magical energy scanners, suggesting the creature was being sustained, or animated, by the power of the leylines that ran through Amethyst Rift.
I attended the interview with Fiona Fei, creator of the Faire Region Ling Xaio Long, being interviewed by Zander Greene and what a fascinating story it was.
Fiona was born in China, but moved to the USA when very young. One lasting memory of her childhood in China was of lotus blossoms and this love of the flower stayed with her through school.
Comment from Fiona: My thesis was on charcoal shaders in graduate school, which inspired the art currently in Second Life. The lotus blossom imagery stayed with me till now, being featured in my ShuiMo art in SL.
Trained as a painter, she starts with sketches and translates them into the 3D environment. Many of the textures that make up the region she physically painted and scanned for use in the build.
Comment from Fiona: I sometimes use photography of my 3D art installations to play with the illusion of 2D paintings. I try to present them on traditional Chinese scrolls to add to that effect.
She likes to play with the transiton between 2D and 3D, not just making environments such as this one, but also then photographing them making 2D art of something that’s actualy 3D.
The idea of the region is based on a Chinese proverb:
“Painting a dragon and dotting it’s eyes”
The Chinese version of the proverb is Hua Long Dian Jing (画龙点腈)
This is the story of an artist that was so skilled at painting dragons he didn’t finish pictures, he always left the last brush-stroke unmade, for fear that the dragons would come to life.
She used the limited pallette of white, black and red partly because in this form of physical painting, dyes were originally scarce, but also because it focusses on the form. There are large areas of white because it’s how chinese artists show distance or space. The choice of red was deliberate because of being important in China. Red represents luck, good fortune and overall positivity.
She saw an advert for Second Life years ago that said it was a place where she could create or be anything. The draw was the ability to create in real-time, spending a lot of time in sandboxes, challenging herself and later others in building competitions.
In my pictures I took inspiration from the white background of the region and made my avatars body the canvas. I created a plain white skin on which to apply inks, in the form of tattoos.